Janet Olivia Henry’s diorama “The Studio Visit” (1983) provides a key to what JAM means for nonwhite artists. A White curator visits a Black woman’s studio. Their clothes rumple as they sit in conversation.
Janet Olivia Henry’s diorama “The Studio Visit” (1983) provides a key to what JAM means for nonwhite artists. A White curator visits a Black woman’s studio. Their clothes rumple as they sit in conversation.
